This week I briefly talk about how a sense of community can help when writer’s block strikes.
This week I discuss the way the writers mind works, why there is no simple answer to the question why do you write?
This week I read my first real published work, this was a short story in the charity anthology Lupus Animus and titled Acceptance. if you want to read the book for yourself the link is mybook.to/LupusAnimus
I am home from my last signing of this year, so let’s talk authors, readers, books and touching tables!
In this first podcast I introduce myself and tell you a little about the life of an Indie Author in the run-up to a book signing event, in weeks to come I will share readings from my books and tell you about the books I am reading and loving , plus I will have interviews with other Indie authors.
Here is the good reads blurb…
SUNDAY TIMES BESTSELLER
‘A thoughtful, elegant book. … often as thrilling as a detective novel. ‘ – Thomas Grant, QC The Times.
Sarah Langford is a barrister. Her job is to stand in court representing the mad and the bad, the vulnerable, the heartbroken and the hopeful. She must become their voice: weave their story around the black and white of the law and tell it to the courtroom. These stories may not make headlines but they will change the lives of ordinary people in extraordinary ways. They are stories which, but for a twist of luck, might have been yours.
With remarkable candour, Sarah describes eleven cases which reveal what goes on in our criminal and family courts: these are tales of domestic fall out, everyday burglary, sexual indiscretion, and children caught up in the law. They are sometimes shocking and they are often heart-stopping. She examines how she feels as she defends the person standing in the dock. She also shows us how our attitudes and actions can shape not only the outcome of a case, but the legal system itself.
This is a strange book, it is fascinating and does provide an insight into the world of the defence system but in some ways, it is lacking. you do begin to understand that the barrister generally has very little direct contact with their clients until the day of court. They do not always know the full backstories or the details of their clients day to day existence, and I think this is part of my issue with the book.
I am a lover of true crime, I am used to being told every detail leading up to the crimes, to knowing what happened next what happens after the trial and sentencing, I am used to seeing the full story. In this book, you only see a glimpse into this world. While the stories are each different and explore numerous aspects of the defence system in the different types of court you find yourself wanting more. Yes, in one aspect that certainly demonstrates the quality of the writing and the well-selected range of cases but it also means at the end of the book you are left feeling slightly unfulfilled.
I would still recommend the book for those who are interested in the law process and getting a better understanding of how the defence system works, it would be a good book to read on the beach or on a commute as the stories are easy to put down and pick up again, but if you are expecting a true-crime style detail-packed book you will be disappointed.
I give this 3.5 stars out of 5 and as usual, will round up on Goodreads as they do not allow for half marks.
If you missed out on the first part of this new series you can catch it here. I know this should have gone out yesterday but technical problems left me frustrated and on the verge of throwing the computer through the window yesterday lol.
So, you finally have an idea for a story, you sit at the computer and begin writing so far so good but then you find the next thing that people say to you.
Well, anyone can write a book, it’s just words.
Now, to an extent this is true. anyone can write a book but let’s look at what actually goes into writing a book that people really don’t understand. First the time! I don’t know about most of you reading this but my WPM (words per minute) have dropped significantly since I learnt to type at school. On a good day, I can type 250 words every fifteen minutes, that means 1000 words per hour assuming the ideas are flowing and I don’t need to stop to think or consult notes. The average fantasy book is 95,000 – 120,000 words this means to write one book you are looking at 95 – 100 hours. Now, there will be people who will look at that and say, well that’s okay you can write a book a month, and yes if you are lucky enough to be able to stay home and make a living writing you might, but most of us still have day jobs to accommodate to fund our writing. Personally, I am lucky to write 5 – 10 k words per week, that means if nothing else happens to slow me down or distract me that the first draft will take three to four months.
It’s only writing down words in sentences, it can’t be that hard!
Yes, I have actually had that said to me, and to an extent it is true, or should that be it is true for the first draft. What a lot of people fail to realise is just how many different edits you do on books, you don’t just write the perfect book, hit send and it is out there in the world. Generally, I edit a book around four times more in some places if it needs it, there are read throughs checking for continuity, and any holes in the plot, there are general grammar and spelling checks. I also use an automated voice reader programme to let me hear it back with helps me pick on things spell check misses, those silly errors where you type on instead of no.
If you are lucky you can afford to pay proofreaders to pick up on some issues, pay editors to fix them, oh, and remember to check what your editor offers, because you may need to hire more than one. If one only does general edits then you need a second to do line edits. Now, if like me you don’t make enough to pay for all these things, then there is help out there. I use the free version of Grammarly to pick up on some of my mistakes but be advised that it often wants to change things that you want to write for creative effect. Use the word checker on your computer and check the settings to see what you can turn on to help you.
All these edits take time so the chances are if you are doing it all yourself you will be doing well to get out one or two books a year, if you have editors you can maybe get a couple more out, but just words, I don’t think so.
Next week we will look at what happens once, you have a story more or less ready to go.